""""The analysis is lucid and accurate and will give the reader an excellent presentation of Balthasar's project.""""--Worship
""""The prolific English Catholic historian Aidan Nichols has written an authoritative and sympathetic introduction to Balthasar's multi-volumed magnum opus, The Glory of the Lord.""""--Church Times
""""[This work] makes Balthasar's labyrinthine style intelligible to the pragmatic British or American reader. . . . Nichols explains with considerable intellectual vigor what Balthasar's whole exercise in 'aesthetics' and in the historical growth thereof intended. The summary of the dialectics between the Old and the New Testament (and of their mutual need) are masterpieces in themselves. . . . Nichols has written an excellent and highly useful work. His understanding of Balthasar is thorough and fair. In the emerging exegetical corpus on Balthasar this book will surely maintain its place among the most valuable and durable.""""--The Review of Metaphysics
""""A very useful book in that it not only follows the shape and content of the first part of Balthasar's trilogy exactly, but offers an interpretive key to the vast oeuvre which explores the beauty of God and which dialogues with a great diversity of thinkers, biblical and pagan, ancient and modern. . . . Nichols has done us a great service in providing a readable guide to Herrlichkeit.""""--Heythrop Journal
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In deze nieuwe betoverende historische roman van de internationale bestsellerauteur van Violeta en De wind kent mijn naam reist een jonge schrijfster naar Zuid-Amerika om de waarheid over haar vader – en zichzelf – te ontdekken.
In deze nieuwe betoverende historische roman van de internationale bestsellerauteur van Violeta en De wind kent mijn naam reist een jonge schrijfster naar Zuid-Amerika om de waarheid over haar vader – en zichzelf – te ontdekken.
